Showing posts with label My own playing. Show all posts
Showing posts with label My own playing. Show all posts

Friday, September 5, 2008

You know, the rain is gonna come...

Well it's been a busy week!

After a wonderfully relaxing vacation in Chicago/Northwest Indiana I'm back at work with two new classes.  My role this term is much more administrative (yuck) than pedagogical and I am dealing with that shift with varying degrees of success.

Going back to work, as with many musicians who teach, always brings my thoughts to priorities; where do I focus..on my art or on the teaching?  I read something that brings that question into very specific relief a few days ago.  Over at Bottomless Cup, D0nna Tr0y has written so eloquently about this dichotomy that I feel I can add nothing but kudos on articulating a very complex set of concerns.  I also must congratulate her on her very brave decision to focus on her art full time.  Read the entire piece here

I have just completed a few arrangements for various people and ensembles, but my own writing seems to always get pushed aside in favor of other projects.  If any writers out there have any wisdom to share on this point, I'd love to hear it.  I have a composition that has been sitting on my piano for several months now!  I hate to sound like I'm complaining because I am truly happy and grateful for the work, but it is a true dilemma of balance.

This past Wednesday I played a very "sustaining" gig.  I have a standing trio that I do occasional work with.  We have a "semi-steady" hit at the Chrysler Museum of Art in Norfolk VA.  This past Wednesday was especially rewarding.  The communication and energy was great and I felt myself playing in a much less self-conscious way.  Self-consciousness is something I have been dealing with in my playing a lot lately.  It seems that the more I deal with vocabulary, the more aware I am of it NOT being present at certain critical times.  Of course, upon listening back, it is often more coherent than I think but the point is that I am not as in the moment as I'd like when I'm playing.  This past Wednesday was a breath of fresh air if for no other reason than I was able to play and detach from what I played in a very quiet and calm way.  It feels nice to get back to that again.

This next week I'm presenting a recital in honor of Trane's Birthday.  We'll be performing material from all three of the big periods and I'm looking forward to exploring this material in a much deeper way over the next few months.  The challenge for me in presenting something like this goes back to the idea of self-consciousness I wrote about a bit ago.  When I'm playing standards or tunes in general, I feel that I bring a good bit of who I am to them.  When ever I approach Trane's material, the history and archetype is SO strong in my mind's ear that I begin to think about how I SHOULD be playing over these tunes instead of what the music is doing now.  As Lovano says:  "The tune is playing you"!  As I work through this recital my goal is to present the music in a way that not only highlights Trane's music but also his aesthetic of individual expression through the music.

Finally, we're waiting for Hanna to pass over.  We're expecting a tropical storm by the time it gets here...nothing too serious, I hope.  I will say this, my friend Jackie is right!  Kenny Wheeler is wonderful music to listen to while watching rain!!

Monday, July 14, 2008

This one time, at band camp...

First things first:  I had every intention of blogging from Jamey-land but as far as "madness" goes IJAE had nothing on Jamey's camp!  

I first went to this workshop about 20 years ago - give or take - when I was a high school student and the experience I had this time was very different.  I got to work with David Baker very closely for the week and the man is a bona-fide National Treasure.  His depth of knowledge, sense of history, and commitment to pedagogy is like no one I have ever worked with before.  The man is a walking history, harmony, composition and improvisation textbook. It is safe to say that I had a very meaningful experience and got a huge dose of inspiration.

Some other high points for me were:

Tim Armacost...Very deep player with a refreshingly organic approach to practicing and vocabulary development.

Ralph Bowen...Some very tangible processes for development of technique and amazing harmonic language

Marty Nau...Marty wasn't a faculty member (he should be!!).  He and I were in the same combo. If there is someone in the US with a deeper knowledge and command of  Phil Woods' conception I have never heard him/her.

I was really inspired by the range of ages and abilities here.  There was no vibe at all, everyone was very open and giving with their time and knowledge.  If you have ever considered this workshop...go!  It is worth EVERY penny.

Monday, March 17, 2008

Rob Wilkerson and Sage Advice

Rob gave a very nice clinic where I teach today.

I have heard his name around for the past year or so but I had never heard him play, other than on MySpace.  Happy to say I was not disappointed; great sound, deep harmonic sense and a time feel to die for.  He gave our students a great class and when he fielded questions, I got some insight into one of my own weaknesses.  I asked him if he could share any strategies for becoming fluid in odd meters.  This is something I really have a problem with and I know with the circles he runs in he has had some experience with this.  His explanation hit home with me.  He said basically he had a breakthrough in his comfort level with odd meters when he got his playing in three together.  My jaw dropped a bit because upon reflection, my three is not together.  Whenever I do a tune in three my playing feels very stilted and tight.  I really should focus on three and see if it helps me deal with meters.  I have to say that I am encouraged that he could isolate something as "simple" as "get your three together" and that it resonated so deeply with me.

There is never a "magic key".

I just finished writing a waltz to use as a tool to work on this...